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StageCenta's booking system was fantastic, it saved us countless hours selling and managing our ticket sales. 

The service is fantastic, friendly and extremely cost effective. Thank you for taking the stress out of the ticket selling process! 

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Gungahlin College
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StageCenta is a game-changer for managing production ticketing! The all-inclusive ticket booking and management system is so organised, intuitive, user-friendly and cost effective not just for me but for my clients purchasing tickets. I love the 24hr availability which allows me to manage bookings for my productions when it suits me. 

The customer service is second to none. Richard and the team are professional, competent and most importantly, available.

Engaging StageCenta for my ticketing needs saves me hours upon hours and allows me to focus on the fun creative stuff (preparing my production) rather than the boring stressful admin stuff!

StageCenta offers a blue-ribbon service I have been using StageCenta since its inception and I can't imagine staging a production without it. I can't recommend StageCenta enough. 

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Feature  video
The Rocketman In Concert The Rocketman In Concert - Take a trip to the stars and relive the magic of ELTON JOHN live in concert. Currently touring around Australia.

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Stagecenta  profiles
Find profiles of your favourite actors or creatives.
Featured  performer
BRADLEY DALEY BRADLEY DALEY

Biography

Australian tenor, Bradley Daley has won critical and popular praise for some of opera’s most expansive tenor roles – Siegfried, Der Kaiser, Otello, Florestan, Canio, Don José and Erik. Most notable have been his interpretations of Mao Tse-tung (Nixon in China) and the tenor solos in The Dream of Gerontius

In Australia Bradley has performed with Opera Australia – Curley (Of Mice and Men -   Green Room Award), Don José (Carmen), Siegmund (Der Ring des Nibelungen) and Pinkerton (Madama Butterfly). For Opera Queensland - Florestan (Fidelio), Rodolfo (La bohème), Dick Johnson (La fanciulla del West);  State Opera of South Australia – Otello, Narraboth (Salome), Canio (Pagliacci); Victorian Opera - Mao Tse-tung (Nixon in China - Green Room Award), Erik (Der fliegende Holländer); for the State Opera of South Australia Walther (Die Meistersinger von Nürnberg) and Bob Boles (Peter Grimes) for the Brisbane Festival. 

In 2018 Bradley debuted the role of Siegfried (Der Ring des Nibelungen and Götterdämmerung) for Opera Kiel. 

In 2019 he debuted the role of Der Kaiser (Die Frau ohne Schatten) followed by another complete Ring cycle for Opera Kiel.  He also toured nationally singing Pinkerton in OA’s production of Madama Butterfly.

In 2020, Bradley was the first person to perform a solo classical recital post-Covid in Australia, for Opera Qld. Since then he has performed the role of Barney (Summer of the Seventeenth Doll) for the State Opera of South Australia.

Internationally he has sung with Opera North, Welsh National Opera, English National Opera, Holland Park Opera, Co-Opera Ireland and performed regularly with Muziektheatre Transparent in Belgium, Compagnia d'Opera Italiana di Milano, Opera Nomade in Paris.  In 2005 he was invited to give the first performance of a Western opera at the Hanoi Opera House.

Concert performances include Rachmaninoff’s The Bells, Dvoràk's Stabat Mater, Verdi's Requiem, Puccini's Messa di Gloria, Beethoven’s Symphony No. 9Die erste Walpurgisnacht for the Prague Music Festival, Messiah with the Britten Sinfonia at Snape Maltings and Elgar’s The Kingdom and The Dream of Gerontius at Melbourne Town Hall.

 

November 2020

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Table Top Shakespeare
Featured  show
Table Top Shakespeare

Shakespeare re-told with relish (marmalade, dish soap and other bits and bobs)

For the first time in Sydney, internationally renowned theatre company Forced Entertainment bring their take on Shakespeare’s greatest hits to the Sydney Opera House. Over one week only, join us for a thrilling series of double-bill performances of Shakespeare’s comedies, tragedies and histories, creating worlds as vivid as they are strange.

Even the classics can be told in surprising new ways. In Table Top Shakespeare: Select Works, six performers condense a selection of Shakespeare’s plays, retelling a different one each night around a kitchen table using everyday household objects. A vase for the prince. A jar for Juliet. A bottle of Dettol for the nurse. Salt and pepper for the king and queen. It’s the immortal storytelling of The Bard, stripped back and seasoned to perfection.

Light on Elizabethan poetry but bursting with playfulness, the performers feel like a friend who actually knows Shakespeare, sitting you down and revealing all the clever, hidden twists and turns using only a few household props. Each performer brings their own spin, but every version twists the bottle and captures the spirit of Shakespeare’s storytelling.

This special season is presented as a double-bill per performance time. Audiences can have an immersive deep dive into Shakespeare over two performances per evening, or on the final weekend.

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