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Our Ticketing Reviews  are in
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Having used multiple systems for ticketing over the years, StageCenta took the stress out of ensuring our production's ticketing ran smoothly - with the added bonus of advertising our little school show to the general public.

StageCenta is perfect for anyone wanting to streamline ticketing - no fuss, easy to navigate and timely support throughout!! 100% using every show!

Charlotte Gearside
St Clare's College
★★★★★

StageCenta have been a fantastic partner for St Edmund's College in the ticketing and promotion of our 2022 production Little Shop of Horrors. If ever we had any problem, a question, or an issue the team would respond promptly and guide us through the issue, or fix it if it was a backend issue. 

I will definitely be using StageCenta again and would recommend the service to anyone. We have used a ticketing service before, but the transition over to StageCenta was a seamless one and I couldn't be happier. Fantastic service and incredible customer service. 

Nigel Palfreman
Head of Creative and Performing Arts
St Edmund's College

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Feature  video
The Rocketman In Concert The Rocketman In Concert - Take a trip to the stars and relive the magic of ELTON JOHN live in concert. Currently touring around Australia.

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Stagecenta  profiles
Find profiles of your favourite actors or creatives.
Featured  performer
Julie Lea Goodwin Julie Lea Goodwin

Julie's warmth and exceptional vocal talents have fast made her a new leading lady of the Australian stage. As a concert artist and theatrical performer, Julie sings music across a number of genres including musical theatre, opera, operetta and classical cross-over.

Julies professional career started at nineteen years of age when she was plucked from obscurity to perform the role of Christine Daae (alternate) in The Phantom of the Opera, starring Anthony Warlow. During 2007-2009 this production won critical acclaim throughout Australasia.

The following year Julie began production on Leonard Bernstein’s West Side Story, playing the role of 'Maria' in the 2010 Australian national tour. Press reviews were more than favourable for her portrayal with ‘The Australian’ stating that Julie’s ‘Maria’ was “the standout performance with her mixture of innocence and burgeoning sexuality.”

In 2010 Sydney Chamber Opera offered Julie the opportunity to perform in her first opera production, The Cunning Little Vixen. Janacek’s challenging score was a welcomed test and Julie performed the title role with “bright clarity” and “deceptive ease” (Sydney Morning Herald). This same year Julie released her debut classical album “Love Went a-Riding” for Skylark Classics, featuring Art Songs in English with Sharolyn Kimmorley on piano.

In 2011 Julie was thrilled to be cast as ‘Grace’ in the national tour of Annie, where she shared the stage with theatrical greats Nancy Hayes, Anthony Warlow and Todd Mckenney. Again Julie’s performance was well received by critics and public alike with the Courier Mail quoting, Julie’s “secretary Grace is a truly wonderful example of a gifted actress with an exceptional voice working magic”. She was nominated for a Green Room Award for her role in the production.

Julies concert highlights include, Opera in the Market with trumpet extraordinaire James Morrison, Carols by Candlelight at the Melbourne Myer Music Bowl (with Channel Nine Broadcast), Twisted Broadway Melbourne, Hats Off Sydney, Vivaldi's Gloria and Encore at the Sydney Opera House Concert Hall.

Julie is looking forward to performing with Sydney Philharmonia later this year in a Cole Porter Celebration Concert at the Sydney Opera House Concert Hall. She is also thrilled to appear in concert with Anthony Warlow at Opera in the Alps early next year.

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Collegium Musicum
Featured  show
Collegium Musicum

Grab a coffee, pull up a chair, and enter the world of Leipzig’s Café Zimmerman, as Bach Akademie Australia presents Collegium Musicum, a three-stop celebration of music and enlightenment, featuring Artistic Director Madeleine Easton, alongside guest performances from some of Australia’s finest Baroque instrumentalists, from Friday 12th to Sunday 14th June.

Continuing their extraordinary 2026 season, Australia’s leading Baroque ensemble focuses its attention on the institution that shaped generations of performers and composers alike – the Collegium Musicum of Leipzig. Bach Akademie Australia will perform music by its famous founder Telemann and other figures associated with it including Fasch and J.S. Bach – with intimate performances at the Mosman Art Gallery (June 12th), The Neilson, ACO On the Pier (June 13th), and Bowral Memorial Hall (June 14th).

1702 Leipzig. Bach’s great friend and colleague George Phillip Telemann has just founded The Collegium Musicum, an 18th century ‘student musical society’, that gives weekly public performances in the old university town. Fast forward to 1729, and the Musicum is now run by Bach, who expands the society’s influence to the artistic melting pots of Leipzig’s coffee houses. Here many of Bach’s most famous works are written and adapted.

This program acknowledges the founder of the Collegium, Telemann, with his ‘Tafelmusick’, his successor Fasch with his Sinfonia in G. As Bach’s great inspiration, Vivaldi is acknowledged with his famous variations on ‘La Folia’, and finally we celebrate the many great concerti written by J.S. Bach for his students at the Collegium including his famous Concerto in D minor for two violins.”

For this offering, Bach Akademie Australia presents the music of Bach, including his timeless Concerto for two violins in D minor, performed by Australian violinist Simone Slattery alongside Madeleine Easton, and a movement from his Concerto in F major for solo harpsichord, performed by Nathan Cox. Selections from Telemann’s entertaining Tafelmusik also feature, with Mikaela Oberg and Jessica Lee showcased on flutes, as well as his Violin Concerto in A major nicknamed The Frogs. The program also features Fasch’s Sinfonia in G minor, highlighting works by Bach’s predecessors that shine a light on the legacy of this remarkable institution. 

Vibrant and inspiring, don’t miss this unforgettable look inside 18th century Leipzig coffee house culture. 

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