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Our Ticketing Reviews  are in
★★★★★

StageCenta have been a fantastic partner for St Edmund's College in the ticketing and promotion of our 2022 production Little Shop of Horrors. If ever we had any problem, a question, or an issue the team would respond promptly and guide us through the issue, or fix it if it was a backend issue. 

I will definitely be using StageCenta again and would recommend the service to anyone. We have used a ticketing service before, but the transition over to StageCenta was a seamless one and I couldn't be happier. Fantastic service and incredible customer service. 

Nigel Palfreman
Head of Creative and Performing Arts
St Edmund's College
★★★★★

StageCenta is a game-changer for managing production ticketing! The all-inclusive ticket booking and management system is so organised, intuitive, user-friendly and cost effective not just for me but for my clients purchasing tickets. I love the 24hr availability which allows me to manage bookings for my productions when it suits me. 

The customer service is second to none. Richard and the team are professional, competent and most importantly, available.

Engaging StageCenta for my ticketing needs saves me hours upon hours and allows me to focus on the fun creative stuff (preparing my production) rather than the boring stressful admin stuff!

StageCenta offers a blue-ribbon service I have been using StageCenta since its inception and I can't imagine staging a production without it. I can't recommend StageCenta enough. 

Natalie Pearse
Director
Pointe2Pointe

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Stagecenta  profiles
Find profiles of your favourite actors or creatives.
Featured  performer
Pam Andrews Pam Andrews

Pamela Andrews discovered a passion for singing at the tender age of ten and started lessons with a local teacher in Launceston, Tasmania, hoping to become the next Tina Arena. Pamela’s education in singing was based on contemporary music until she reached Year 11 Pre-Tertiary Music, when she was required to learn the classical style. Pamela loved it and moved to Hobart at age 18 to commence formal vocal training at the University of Tasmania under mezzosoprano Marilyn Smith. During her time there, Pamela achieved a Bachelor degree with Honours, Diploma of Music and Associate Diploma of Music (AMEB), as well as being nominated for the Director’s Prize in 2007. Pamela has won numerous prizes and awards in eisteddfods around Tasmania, including the City of Launceston Aria Award (2009), the DJ Mazda Operatic Aria Award (2007), and the Enid Spencer McDougall Encouragement Award (2007). In Tasmania, Pamela has appeared as a soloist for the Derwent Symphony Orchestra, Hobart Orpheus Choir, Tasmania University Musical Society, and City of Launceston Carols by Candlelight, amongst others.

Pamela spent eighteen months studying with soprano Jane Edwards before moving to Canberra to complete a Master of Music under soprano Louise Page. Pamela performed the role of soprano soloist for the SCUNA/National Capital Orchestra performance of Mozart’s Requiem in 2010, gave two recitals at Llewellyn Hall as part of her Master’s program, and performed in various Embassies and High Commissions around Canberra, including a Celebration of Mahler concert at the Austrian Embassy (presented by Friends of Opera). Before moving on from Canberra, Pamela performed the soprano solos for Brahms’ Ein deutsches Requiem and Mozart’s Requiem for local Canberra choir, Igitur Nos, as well as Handel’s Messiah in Crookwell with the Goulburn Conservatorium.

Pamela’s operatic experience includes the roles of Second Woman and Venus (understudying Belinda) in Purcell’s Dido & Aeneas, with new prologue by Geoffrey Lancaster, chorus roles in productions of Carmen, La Traviata and Tosca with Melbourne Opera, and premiering new works by Tasmanian opera composers Matthew Dewey (A Priest’s Passion; 15 Years On Hold) and Joe Bugden (The Call of Aurora), in conjunction with IHOS Music Theatre & Opera.

Pamela is delighted to be a Young Artist with Pacific Opera and moved to Sydney in 2013 to take up this position. Since commencing with Pacific Opera, Pamela has enjoyed performing arias and ensembles with her fellow Young Artists at Government House (Sydney), Parliament House (Sydney), Elizabeth Bay House (Elizabeth Bay) and will be playing the role of the Countess Almaviva in their August/September production of “The Marriage of Figaro”.

Pamela recently appeared as the guest soprano soloist in Haydn’s Nelson Mass at the 2013 Festival of Voices in Hobart with the Hobart Chamber Orchestra under conductor David Lawrence (UK). Pamela is currently performing as much as possible, entering singing competitions and establishing herself in Sydney.

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  • StageCenta has the only nationwide dedicated theatre website and app, where people can view your bio and easily follow you!
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  • Your profile will be a complete record of your theatre journey for all to enjoy (be seen & connect with key people in the industry)!
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The Australian INXS Tribute Show
Featured  show
The Australian INXS Tribute Show

The Australian INXS Show is a fully immersive "Wembley Style" INXS experience with a show that must be seen to be believed.

Featuring a breath-taking original video show as well as a fully authentic 6 piece lineup delivering an energetic journey through the songs that made INXS a household name for the past 4 decades. Fronted by the incredible Dellacoma Rio, whose uncanny portrayal of Michael Hutchence has captivated audiences worldwide.

Touring across the globe, The Australian INXS Show has travelled to Dubai, India, Hawaii, Tahiti, New Zealand, Hong Kong, Vanuatu, Singapore, Japan, China, Bora Bora, New Caledonia, Taipei and South Korea. Hailing from Melbourne, Australia, this unique INXS theatre experience delivers a breath-taking ‘Australian Made’ rock show unlike anything you’ve seen before!

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