It started as a lecture to a group of women in the nineteen-twenties, and became one of the finest pieces of writing in the last hundred years. Wise, witty, passionate, incisive, the story of women writers and the rooms in which they write.
Carissa Licciardello’s impressive mainstage debut brought the famous essay into bold theatrical clarity, with a virtuosic central performance by Anita Hegh. Now a limited chance for those who missed out.

“…nothing less than transcendental.”
THE SYDNEY MORNING HERALD

“A superb text for performance.”
THE AUSTRALIAN

“[Anita] Hegh is superb.”
LIMELIGHT