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StageCenta's booking system was fantastic, it saved us countless hours selling and managing our ticket sales. 

The service is fantastic, friendly and extremely cost effective. Thank you for taking the stress out of the ticket selling process! 

Chantelle Lawson
Business Manager
Gungahlin College
★★★★★

Having used multiple systems for ticketing over the years, StageCenta took the stress out of ensuring our production's ticketing ran smoothly - with the added bonus of advertising our little school show to the general public.

StageCenta is perfect for anyone wanting to streamline ticketing - no fuss, easy to navigate and timely support throughout!! 100% using every show!

Charlotte Gearside
St Clare's College

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The Peter Allen Show The Peter Allen Show - Performing at the Redcliffe Entertainment Centre on May 2nd, 2026.

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Stagecenta  profiles
Find profiles of your favourite actors or creatives.
Featured  performer
Actor Kate Blackhurst

Kate’s first appearance on stage was as a singing rabbit in a primary school production. She went on to play the part of St George and was hooked. Unfortunately, slaying dragons is frowned upon in ‘real life’ so she took up theatre instead, where no one told her that St George had to be male.

Kate obtained a BA (Hons) in English Studies from Manchester Polytechnic in the UK, where she immersed herself in the theatre scene of the fantastically vibrant city. She immigrated to New Zealand in 1996, where she enjoyed performing in Christchurch, Wellington and the Wakatipu. Among other things she appeared as Mrs Elton in Emma, Witch 1 in Macbeth, Queen Elizabeth in Richard III, Dionne in Hair, Elizabeth Proctor in The Crucible, Sister Jeanne in The Devils, Jelena in Necessary Targets, Maria in Twelfth Night, Lucy in Secret Bridesmaids’ Business, and Jeanette in The Full Monty.

Since arriving in Canberra in 2012 she has performed in Improbable Fiction, Twelfth Night, Casanova, Gaslight, Macbeth and Oh, What a Lovely War! for Canberra Rep, as well as The Hollow for Tempo Theatre, At Home at the Zoo for Something Borrowed, In Loco Parentis for the Street Theatre (Canberra Critics Circle Award), Cara Carissima for The Acting Company with Shadow Pits, and Vinegar Tom for COUP: Canberra. She also performed in the award-winning short film With Little Hope. (Cinema New York City Film Festival Best Short Film)

In Canberra Kate has directed an International Women’s Day performance of excerpts from Carol Ann Duffy’s The World’s Wife for Crouching Giraffe, Coda for Shirley for The Acting Company in association with Shadowhouse Pits, Neighbourhood Watch and Blithe Spirit for Canberra Repertory, and a couple of ten-minute plays for Short and Sweet. Other previous directing credits include plays Popcorn, Night Cleaners and Blackadder:Bells for Queenstown Shakespeare Trust, and the musicals Beatlemania ’64 and Cribbies for the Arrowtown Entertainers. 

Kate wrote and directed Scene Stealers and promenade performances Shakespeare on Location and A Funny Thing Happened on the Way to the Gardens in Queenstown, and a Shakespearean compilation, An Error of Comedies, which toured the South Island of New Zealand. For the 150th anniversary of the discovery of gold in Arrowtown, she was commissioned to write a series of site specific theatre pieces for the official commemoration of the Chinese Miners’ Village. She has also written a ten-minute play, Sorry, which was performed at Short & Sweet, and published a novel, Mornington Crescent.

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  • Your profile will be a complete record of your theatre journey for all to enjoy (be seen & connect with key people in the industry)!
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Dial M for Murder
Featured  show
Dial M for Murder

Made famous by Alfred Hitchcock’s world-renowned 1950’s film, Jeffrey Hatcher’s spine-tingling new adaptation is crackling with suspense, intrigue and unexpected surprises.

 

The ever-so-charming Tony Wendice has his eye on the prize. The prize in question? His wife Margot’s eye-wateringly enormous inheritance. Fuelled by greed and revenge, he concocts the perfect plan to eliminate her from the equation. But after a small mishap, Tony must spin a web of lies to outsmart the cops to avoid a jaunt behind bars.  

 

Twists, turns, danger and deception — the stage is set for an explosive night of theatre. Made famous by Alfred Hitchcock’s iconic 1950s film, this spine-tingling new adaptation by Jeffrey Hatcher, directed by Mark Kilmurry, crackles with suspense, intrigue and unexpected surprises.

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